27 Ways You Can Stay Busy On Set

27 Ways to Stay Busy On a Film Set

During a production, hurry up and wait can leave you with tons of time in which you have little or nothing to do.

Many opt to keep it that way and do nothing at all, but the reality is there’s always something that needs to get done.

So if you think you’ve exhausted all your ideas for what to do during downtime on set, then take 27 of mine.

27 Ways to Stay Busy on Set

This is a list of things to do when you want to appear like a hard worker, put yourself ahead of schedule, or simply kill some time.

1. Organize equipment. Have your cases been hastily put away or strewn about in the staging area?

2. Clean cases. They can easily get dirty when shooting on location.

3. Clean gear (like lenses).

4. Defend the camera cart. Don’t put up with camera cart abuse.

5. Catch up on paperwork. Falling behind on camera reports is a downward spiral.

6. Create a new tool for your kit. Be resourceful. It doesn’t have to be anything big, a cardboard hoodman or something like a water bottle caddy is still useful.

7. Improve a piece of gear. If you don’t feel like making something, take an existing tool and make it better.

8. Offer craft services for those in your department. You’ll be greeted like a desert mirage when you return with drinks and snacks.

9. Offer to help another department. Looking to put on another hat? This is a good way to introduce yourself to new skills.

10. Change and charge batteries. With batteries, you’re always playing catch up. Take a moment to stay ahead of the game.

11. Help out as a stand in.

12. Check footage or load magazines. If you’re shooting digital, check how the data downloads are going. If you’re shooting film, load magazines to prepare for an upcoming round of filming.

13. Refill expendables. Check to see how low supplies are and if you need to order more.

14. Perform minor maintenance on gear. Handheld handles been jiggling all day? Quick release plate not quite tight enough? Use this time to make tweaks that will make filming go smoother.

15. Prep the slate. You can never write those numbers and letters too perfectly.

16. Plan an elaborate prank. Just don’t make the same mistake I did.

17. Take some production stills.

18. Pick an object, guess its distance, and measure it. Accurately guessing distances helps tremendously when you have to pull focus without marks.

19. Teach yourself the subtleties of the slate.

20. And while you’re at it, make the alphabet your own.

21. Make some new friends. Converse, listen, ask questions. Veteran crew have a lot of knowledge to share.

22. Mentor a PA who’s interested in your job. Filmmaking is all about collaboration, so help an enthusiastic PA get a leg up.

23. Learn to rip paper tape and tab it at the same time. The amount of time this saves when you learn it is ridiculous.

24. Check the gate on the camera. Be positive it’s the gate, not the gauge, before moving forward.

25. Check it again. You can never be too safe.

26. Customize your camera rig. Customize user buttons or add Velcro in convenient places — whatever makes you more efficient.

27. Practice operating the camera. Because we all have dreams…

Did I miss anything? How do you keep yourself busy on set? Let me know in the comments!

About the author:

About the author: Evan Luzi is the editor and founder of The Black and Blue as well as a freelance camera assistant.

You can learn more about him or follow him on Twitter and Google+.

This Isn't About One Gig. It's About Launching Your Career.
  • http://profiles.google.com/kyletleach Kyle Leach

    i think these fall under your 27 categories, but just some other things I do to keep busy as a G&E:
    turn C-47s into C-74s and pass em out to the crew or clip em onto scrim bags, make sure cables are wrapped properly, sandbag everything, “tennis ball”/”water bottle” potential eye hazards (though, this should probably be done right away…), 10-1 or -2 while you can, pump the dolly, etc.

  • http://twitter.com/phil_jackson Phillip Jackson

    Something I try and always do is look at the lighting/set up. Whether you are in camera or G&E, you spend so much time doing a lot of small parts that eventually make one nice image. So if you do have the time to spare, you should try and see how the light is playing to cast a mood or how this dolly move aids the scene. I always ask, how would I do it? Sometimes you pick up a cool set up and others you just strengthen the way you’d light.

  • Soundbunny

    * Fold a soft reflector in one casual move
    * coil audio & power leads in one smooth movement with hands never loosing touch of the cable.

  • http://www.facebook.com/ralph.85 Ralph Lindsen
  • http://www.theblackandblue.com/ Evan

    All good suggestions, Kyle. G&E is lucky enough to have more toys than us camera guys to play with during downtime. That and a truck to nap in!

  • http://www.theblackandblue.com/ Evan

    I know I’ve been guilty of going with the flow too much that I don’t stop and try and learn from watching the DP and gaffer work. You learn a lot about lighting simply by taking note, as you said Phil.

  • http://www.theblackandblue.com/ Evan

    You might find this post from one of the readers here funny:

    http://ianaack.tumblr.com/post/4694568164/chapter-49-outdoor-home-inspection

    Looks like he needs to practice your first suggestion!

  • http://www.theblackandblue.com/ Evan

    Lol, I love that the picture is silhouetted too. Very funny, Ralph

  • Pingback: Be a Faster AC #10: Dictate Your Duties Effectively | The Black and Blue

  • Brian

    21 & 26 are the same.

  • Brian

    …but good advice!

  • http://www.theblackandblue.com/ Evan

    Thanks for the heads up Brian — and the kind words! The post is fixed now.

  • Pingback: 10 Keys to Your Success on a Film Set - Filmmaking Advice | The Black and Blue

  • Pingback: The Little Things Matter | The Black and Blue