The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Videos
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Subscribe
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • About The Black and Blue
  • Contact Us
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • R
  • 
  • ˆ
  • ‰

Filmmaking Tips and Advice

Page 34

Pulling Focus on the Set of Red Herring

Three Tips to Help You When Shooting Handheld

by Evan Luzi | Camera Assisting | April 19, 2011 | Comments: 17

Shooting with a handheld camera is harder physically and mentally. Mentally, your job is intensified because the camera is now as dynamic as the subject which makes pulling focus more difficult. Physically, you have to be lifting the camera quite frequently as well as guiding your and the operators’ body through a scene.

Read More
Comment Corner at The Black and Blue

Comment Corner: Week of April 11th

by Evan Luzi | Comment Corner | April 17, 2011 | Comments: 0

Sunday means wading through all the stories, questions and tidbits you leave on the posts of this site. Another week, another slew of comments.

Read More
Sony F65 Digital Cinema Camera

Film is Dead, Film is Not Dead

by Evan Luzi | Cameras | April 16, 2011 | Comments: 35

NAB 2011 was this week and brought a slew of announcements, but one in particular has been bagging headlines left and right — and no, I’m not talking about Final Cut Pro X. I’m referring to the announcement of Sony’s new 8K sensor digital cinema camera. The Sony F65 camera outputs in true 4K resolution and is future proofed for the next wave of digital cinema.

Read More
Working as a Local On Location: Good or Bad Idea?

Working as a Local On Location: Good or Bad Idea?

by Evan Luzi | Getting Work | April 14, 2011 | Comments: 29

Working on location is something every freelancer will do throughout their career in the film industry. And, generally, it’s not an issue. Where it gets prickly, however, is when the production wants you to work on location, but for a local rate – what do you do then?

Read More
Why You Should Buy the Dolly Grip a Beer

Why You Should Buy the Dolly Grip a Beer

by Evan Luzi | Miscellaneous Tips | April 13, 2011 | Comments: 6

Here’s three reasons why a dolly grip is important to you and, if you want to keep your job, you should make sure to buy them a beer or two on occasion.

Read More
Warning: Keep Your Clutter Off the Camera Cart

Warning: Keep Your Clutter Off the Camera Cart

by Evan Luzi | Toolkit | April 13, 2011 | Comments: 21

Work long enough in the camera department and you will eventually be blessed with a camera cart. But a good cart’s value doesn’t go unnoticed and you need to protect it because everyone else on the crew will be licking their lips, waiting to seize the opportunity to use your cart to lug their gear. And you can’t let that happen.

Read More
How to Pull Focus with Mirrors and Reflections

How to Pull Focus with Mirrors and Reflections

by Evan Luzi | Camera Assisting | April 12, 2011 | Comments: 6

Mirror shots are aplenty in films from low-budget to blockbusters. And, like any shot, they require sharp focus to be effective. But with a mirror involved, what do you measure for marks? It’s not as simple as you may think.

Read More
Comment Corner at The Black and Blue

Comment Corner: Week of April 4th

by Evan Luzi | Comment Corner | April 10, 2011 | Comments: 0

Compiling comment corner for Sundays is one of my favorite things to do. Filmmaking has always brought together creative individuals like you and here at comment corner, were able to do that by the powers of the internet.

Read More
Learning to Limp By the Long Days

Learning to Limp By the Long Days

by Evan Luzi | Production Stories | April 9, 2011 | Comments: 32

If you’re planning on a long career in film, I’m convinced you have to learn to deal with the unexpected. Whether that means get by without a piece of gear, without an extra crew member, or even without your own health.

Read More
The Lazy Way to Take Your Own Production Stills

The Lazy Way to Take Your Own Production Stills

by Evan Luzi | Miscellaneous Tips | April 7, 2011 | Comments: 12

The memories I make while filming are important to me, so that’s why I stole an idea to help me document each shoot I’ve been on. Every production is a journey, are you able to document yours?

Read More
  • Prev
  • 32
  • 33
  • 34
  • 35
  • 36
  • Next
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2026 The Black and Blue, LLC