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RED One Mysterium X Cameras Now Available to Buy, Original Sensor Dead

RED One Mysterium X Cameras Now Available to Buy, Original Sensor Dead

Digital cinema's favorite color coded company is now taking orders for the Mysterium-X equipped RED One cameras. Mysterium-X sensors were previously only available as an upgrade and in the forthcoming Epic and Scarlet cameras. The sensor's main draw is it's ability to be more sensitive to light and handle color better, as Pete Jackson found out. But while the Mysterium-X being up for purchase is good news, it doesn't come without a price...

by Evan Luzi | Cameras | September 14, 2010 | Comments: 0

Now that the RED One is shipped with the Mysterium-X, that means the company’s original Mysterium sensor is dead in the water. It is no longer being offered with the cameras unless you have already ordered one. That shouldn’t be a problem for most, however, as the new sensor is certainly a much needed upgrade to an older camera and basic functionality will remain unchanged.

This news comes at a time when digital cinema filmmaking is becoming an increasingly competitive market. The Arri Alexa has hit the ground running and is upping the ante with it’s recent 2.0 software update. That camera boasts a dynamic range that is bigger than even the Mysterium-X, though Red holds the resolution advantage with it’s 4K and will grow even bigger after the release of it’s Epic camera.

While RED certainly got the party started, digital cinema production is getting crowded with some unwelcome guests (DSLR), some unexpected ones, (iPhone), and some from another dimension. Now that the Mysterium-X is ready to hit the prime-time, it should be interesting to see if RED holds the market it helped create.

Via Engadget

Related posts:

  1. RED Epic and Scarlet Cameras By End of 2010?
  2. Comparing the Old Gamma/Raw Colors of RED ONE to New Options from RED Epic
  3. The Hidden Cost of RED Epic and Digital Cinema
  4. Peter Jackson’s Red One Mysterium-X Sensor Tests

About the AuthorEvan Luzi

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Creator of The Black and Blue. Freelance camera assistant and camera operator for over a decade. He also runs a lot. Learn more about Evan here.

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RED Epic and Scarlet Cameras By End of 2010?

Reading off Engadget, found at the comprehensive Reduser.net forums, Jim Jannard (founder of RED) has apologized for the "embarrassingly late" production delays on the Epic and Scarlet cameras. He explains the cause of the delay was a bug that took months to find and put a "bullet in the back of it's head."

  • Comparing the Old Gamma/Raw Colors of RED ONE to New Options from RED Epic
  • The Hidden Cost of RED Epic and Digital Cinema
  • Peter Jackson's Red One Mysterium-X Sensor Tests
  • First HDRx Footage from RED Epic Digital Cinema Camera
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Deciphering the Film Slate (Part 3): Twelve Examples of a Completed Slate

I find looking at other slates to be extremely helpful. When I was first starting out as a 2nd AC, it was useful to see how others applied the principles I had learned about slating. So let's take a look at twelve completed clapperboards.

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Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

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Becoming the Reel Deal eBook Cover on iPad

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