Cinematographer Rob Ruscher, who I had the pleasure of meeting at NAB, interviewed me on his blog for his “Cool Production Peeps” series. Most of the questions cover topics I’ve discussed here on The Black and Blue, but I was happy to nail down an answer to this one I get asked a lot:
RR: What advice would you give someone that wants to be an AC [Camera Assistant]?
Learn the basics of cinematography – both digital and film – so that you understand the fundamentals of how cameras work and can have an educated conversation about it with the cinematographer. You don’t need to be a master of lens optics, but you should know things like how aperture affects depth-of-field or standards for frame rates and shutter speed.
Read Doug Hart’s The Camera Assistant: A Complete Professional Handbook and then read David Elkins’ The Camera Assistant’s Manual. They are similar in scope, but each cover various aspects of the job. In terms of education you can do away from set, those are the gold standard.
Finally, get on a set – ideally in the camera department as a trainee or PA, but really any position that puts you on set – and watch the AC’s work. Ask them questions when they aren’t busy like at lunch or at wrap when they’re breaking everything down. Offer to help them on future projects and hope they call.
There is, of course, much more to becoming a camera assistant, but cinematography basics, reading the AC manuals, and getting on set is the best general advice I can give. Further, as you delve into each of those things, you’ll find yourself branching off to learn more and build your skills.
One more thing: check out my free ebook Becoming the Reel Deal which focuses on starting your filmmaking career in the camera department. Thanks to Rob for the interview!
