Cameraman Chris Weaver lists his thoughts on what it takes to be an excellent camera assistant (AC):
Being a professional Camera Assistant can be the hardest job on the crew. It carries more responsibility than most people think and even worse… while everyone else is on a tea break, the Camera Assistant is usually working, loading magazines, filling out Camera Report Sheets or organizing the camera equipment for the next set-up.
The stuff I’ve written here is based on film camera assistants but the rules apply for video assistants too. So, without further ado… let us begin!
The job’s tough, but not too bad, Chris! Anyway, here are some of my favorite tips from the list:
5. When you are on a shoot, always try to listen in on conversations between the Director and the Cinematographer or Camera Operator. You can pick up on stuff and anticipate what will be needed next. (A big part of being a great Assistant is anticipating and being ready in advance)
26. Treat hire equipment as if it’s your own. It’s totally unprofessional and unacceptable to mishandle hired camera gear, just because it’s from a rental company. It’s precision equipment, treat it with total respect because if you don’t I guarantee it will be noted by other members of the crew. To professionals, this type of sloppy work ethic is like red rag to a bull!
29. Work with as many different types of cameras as possible so that you can easily switch from one type of job to another. If you want to be a successful freelance Camera Assistant you will need to have a working knowledge of as many cameras as possible, flexibility and versatility are key elements to being exceptional.
An older article – and one I’ve shared before on Twitter – but worth a re-read and a re-share.