The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Camera Guides
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Pocket Guides
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • Subscribe
  • Contact
  • About The Black and Blue
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • U
  • 
  • R
  • @
  • Q
  • ˆ
  • ‰
×
How to Be a Resourceful Camera Assistant
Creative Commons License Photo: John Brawley & John Bowring

How to Be a Resourceful Camera Assistant, in Under 300 Words

Without resourcefulness, I wouldn't be able to solve camera problems effectively. I wouldn't be able to handle the pressure of pulling focus handheld on wide open SuperSpeeds. I wouldn't be able to ruthlessly cut inefficiencies on set. It's worked wonders for me and it can help you, too.

by Evan LuziCamera Assisting

  • 4

Resourcefulness is truly one of the most valuable traits you can have as a camera assistant (AC).

I consider myself pretty resourceful and I attribute much of my ability to land gigs to it.

So, want to become a more resourceful AC? Here’s a compact how-to guide to get yourself there:

  • It doesn’t have to look good to work well. Cardboard and gaffer’s tape make many things.
  • Have tabs on all equipment. This helps you build makeshift solutions.
  • Unless you don’t know how, in which case, ask for help — grips can rig anything.
  • Don’t be afraid to ask for any help from a 2nd AC, PA, or other crew.
  • Think of a plan and take action.
  • But don’t let thinking paralyze your instinct. Relax.
  • Remember, “it’s only a movie.”
  • Identify the problem by isolating causes.
  • Check all cables, inputs, outputs, & connections.
  • Try obvious fixes first.
  • But be ready to come up with clever ones as backup.
  • It helps to realize cameras are tools.
  • They can be fixed and their problems have solutions, sometimes in the manual.
  • If not, utilize technology like apps, pocket guides, & Google.
  • Look for areas in your work that slow you down and find out why they do.
  • Always ask, “What can I do better?“
  • Follow up with, “How would I want someone else to do it for me if I were paying them?”
  • Do it that way from now on.

If you’re able to make yourself resourceful, you’ll find everything on set becomes much easier.

Evan Luzi

  • U
  • 
  • z

Creator of The Black and Blue. Freelance camera assistant and camera operator. Available for work: Contact Evan here. Learn more about Evan here.

An Essential Resource for Digital Cinema Filmmakers

Get the Complete Library of 30 Digital Cinema Pocket Guides

  • Canon C500 Digital Cinema Pocket Guide
  • Blackmagic Cinema Camera Digital Cinema Pocket Guide
  • Nikon D800 Digital Cinema Pocket Guide
  • Canon 5D Mark II Digital Cinema Pocket Guide
  • Sony FS700 Digital Cinema Pocket Guide
  • Sony F65 Digital Cinema Pocket Guide
  • Phantom Miro 320s Digital Cinema Pocket Guide
  • RED Epic Digital Cinema Pocket Guide
Click Here to Learn More

Read Next

What to Write on a Film Slate Clapperboard

Deciphering the Film Slate (Part 1): What to Write on a Clapperboard

All of the advantages of the slate in post-production start in the camera department with the camera assistants who step in front of the lens with the clapperboard. And it's crucial you fill it out properly to prevent bottlenecks in post-production. Once you grasp what each section means, it makes it easier to leverage the slate into the useful cinematic tool that it is.

  • Slating the Alphabet from Apple to X-Ray
  • RED ONE Camera Reports Download
  • How to Do Your Taxes as a Freelance Filmmaker (Series)
  • 5 Rules to Help You Dress for Success On Film Sets

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
  • Most Popular
  • Most Recent
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2023 The Black and Blue, LLC