The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Camera Guides
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Pocket Guides
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • Subscribe
  • Contact
  • About The Black and Blue
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • U
  • 
  • R
  • @
  • Q
  • ˆ
  • ‰
×
EasyFocus System Makes Pulling Focus Easy

EasyFocus System Makes Pulling Focus Easy

Fritz Gabriel Bauer, the man who helped develop both the Moviecam and Arricam, has gone on to create a system called EasyFocus. It isn't designed to replace focus pullers, simply make their job easier, but what is it and how does it work?

by Evan LuziToolkit

  • 3

The art of pulling focus is certainly a difficult one. On cinema style lenses — and even on DSLR’s — there is no auto focus option, which means the crisp sharpness of an image is left in the hands of a human. Or is it?

EasyFocus, according to its brochure, is the “very first distance measurement tool that combines an extremely precise gauging reader with a video target allocation display.” In other words, there is a laser measuring device mounted to the camera similar to Panatape. That device is in communication with both a remote focus system on the lens and a touchscreen video display that allows a user to designate where to focus by the click of a mouse or pad of a finger.

But don’t think that EasyFocus is a one trick pony, it actually has five modes of operation:

  1. Auto-focus Mode: Takes over from traditional tape-pulling methods by measuring the distance to wherever the mouse is clicked. This can be done multiple times with each time the lens focusing to the new selected area “in the shortest possible lapse of time.”
  2. Ramping Mode: Essentially a way to time a rack focus perfectly, ramping mode lets you predetermine the amount of time the lens will take to focus from one set distance to another.
  3. Manual Mode: Focus pulling is done manually using the system’s remote focus while it displays distances on the monitor.
  4. Tracking Mode: The most powerful of the modes, in my opinion, this allows you to simply move the cursor or your finger with a subject and have EasyFocus adjust the focus in tandem, in real time. Whoa. Pretty cool huh?
  5. Mapping Mode: More for the visual effects guys and gals, mapping mode creates a topographic map of the set and will show little flags with distances to several objects. All that data can then be printed or saved and will certainly come in handy with those using programs like After Effects.

As awesome as EasyFocus sounds, Bauer acknowledges that it’s not for every situation. It caters to complicated crane maneuvers and custom rigging designs and scenarios where there are so many variables to estimate focus distance that it can be overwhelming.

The system will run you a bit more money than your average BarTech, however. The cost for buying the system comes in at a steep 59,000 euros — rentals on the website are offered but without a price. Looks like only the best 1st AC’s are gonna be playing with this toy.

A good focus puller isn’t going to be replaced anytime soon by a machine, after all someone still needs to operate the system who understands depth-of-field and lens optics, but there will be tools to make the job easier as time goes along. Until I move up to movies like Transformers 3, however, looks like I’ll be sticking to my good ol FatMax and soft tape to keep things in focus.

Via: FDTimes
Source:
EasyFocus

Evan Luzi

  • U
  • 
  • z

Creator of The Black and Blue. Freelance camera assistant and camera operator. Available for work: Contact Evan here. Learn more about Evan here.

An Essential Resource for Digital Cinema Filmmakers

Get the Complete Library of 30 Digital Cinema Pocket Guides

  • Canon C500 Digital Cinema Pocket Guide
  • Blackmagic Cinema Camera Digital Cinema Pocket Guide
  • Nikon D800 Digital Cinema Pocket Guide
  • Canon 5D Mark II Digital Cinema Pocket Guide
  • Sony FS700 Digital Cinema Pocket Guide
  • Sony F65 Digital Cinema Pocket Guide
  • Phantom Miro 320s Digital Cinema Pocket Guide
  • RED Epic Digital Cinema Pocket Guide
Click Here to Learn More

Read Next

Be a Faster AC #4: Ask Questions for Clarification

Be a Faster AC #4: Ask Questions for Clarification

Asking questions is critical, especially when you're working lower in the department as a 2nd assistant camera (AC) or loader. Without asking for clarification, you may not know exactly what to do, where to go, or what is expected.

  • What "Deadliest Catch" Can Teach You About Persistence
  • Arri Alexa 2.1 Software Update Released
  • What to Do After Your Focus Goes Soft
  • Five Ways a 2nd AC Can Impress Their 1st AC Beyond Belief

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
  • Most Popular
  • Most Recent
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2025 The Black and Blue, LLC