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Articles Tagged with "Red One"

Evan Luzi DIY RED One Camera Should Rig

On Set: Making a RED One Shoulder Mount

by Evan LuziCameras

  • 4

What do you do when a rental house gives you two handles, a baseplate, and a towel for a handheld rig and the production gives you no wiggle room in the budget? You grab some power tools and make a sweet do-it-yourself should pad.

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Toolkit DIY: Homemade Hoodman

Toolkit DIY: Homemade Hoodman

by Evan LuziToolkit

  • 3

A hoodman, a cover that provides shade over a screen, is necessary on the brightest of days to see a monitor. While many production monitors come with them, they’re harder to find for small camera monitors such as the RED LCD. Luckily, with a bit of gaff tape and cardboard a hoodman can be whipped up quick enough and be portable enough to save for other occasions.

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Peter Jackson with Mysterium-X RED Camera

Peter Jackson’s Red One Mysterium-X Sensor Tests

by Evan LuziCameras

  • 4

Recently at NAB, Jim Jannard, founder of Red, showed a video of Peter Jackson that he also posted on Reduser.net. In it Jackson talks all things Red as well as shows some tests he shot with the new sensor.

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Macbook Pro Data Loading Station

Digital Media Management Best Practices

by Evan LuziCamera Assisting

  • 10

When shooting digital cinema, it’s important to have your workflow set out ahead of time. While film has an established protocol (for the most part) with handling printed takes, short ends, etc., the digital world has many options that can be cumbersome if not thoroughly explored.

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RED Scarlet Digital Mockup

RED Epic and Scarlet Cameras By End of 2010?

by Evan LuziCameras

  • 0

Reading off Engadget, found at the comprehensive Reduser.net forums, Jim Jannard (founder of RED) has apologized for the “embarrassingly late” production delays on the Epic and Scarlet cameras. He explains the cause of the delay was a bug that took months to find and put a “bullet in the back of it’s head.”

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Toolkit: USB Lens Light (Perfect for RED one)

Toolkit: USB Lens Light (Perfect for RED one)

by Evan LuziToolkit

  • 4

Luckily, if you’re shooting on RED or any camera with a USB port (though I don’t know of many), you can purchase a much cheaper USB powered lens light. Designed for laptops, most of these lights are flexible LED’s powered through the USB standard.

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Arri Alexa Pace 3D System Steadicam Rig

Arri Alexa Pace 3D System Steadicam Rig for Hugo and Transformers 3

by Evan LuziCameras

  • 8

With the Arri Alexa cameras, Pace has rigged an updated system to shoot 3D with the newest digital cinema camera. It’s the same system that Scorsese used/is using on his entry into the third dimension, The Invention of Hugo Cabret.

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Abusing the RED One's Varispeed Option

Abusing the RED One Camera’s Varispeed Option

by Evan LuziCameras

  • 3

This weekend while working on “Heather,” the crew and I used the RED One to shoot some high speed footage at 120 frames per second. We were waiting for the sun to go down while shooting and took that opportunity to shoot some silly footage of us in super slow motion.

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Filming "Heather" Over the Weekend

Filming “Heather” Over the Weekend

by Evan LuziProduction Stories

  • 2

Directed by Lisa Crawford with cinematography by Kuni Ohi, “Heather” tells the story of a lonesome woman who is deeply in love with her cat and constantly trying to avoid interaction with other people, especially men.

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Top 5 Directors Doing Digital Cinema Filmmaking the Right Way

Top 5 Directors Doing Digital Cinema Filmmaking the Right Way

by Evan LuziIndustry News

  • 8

I want to highlight five directors who have taken the digital format and utilized it for their films, often optimizing the ability of the digital format and taking advantage of it’s pros to deliver a polished product. Each of the five directors listed below shot one or more films using digital cinema cameras and in the process, was breaking new technical ground in the film industry.

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