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Filmmaking Tips for Camera Assistants

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Filmmaking Tips and Advice

Page 14

I Worked for Free, Now Where's My DVD?

I Worked for Free, Now Where’s My DVD?

by Evan LuziMiscellaneous Tips

  • 31

Imagine this: after going back and forth for days, you’ve finally been offered your first film gig and feel like you’re taking a step in the right direction for your film career. But there’s a catch — there always is, isn’t there?

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7 Unrealistic Expectations of Film Industry Jobs

The Best Film Job You’ve Never Had

by Evan LuziGetting Work

  • 11

The best film jobs aren’t easy to find. Like a hole-in-the-wall restaurant or your favorite local dive bar, you learn about the truly great filmmaking gigs through networking and keeping an ear to the ground.

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How to Work with Phantom Cine Files on Mac OS X

How to Use a Phantom Miro CineFlash Drive with Mac OS X

by Evan LuziCameras

  • 14

You have two options if you want to use a Miro with a Mac: either pay for some plugins or use this free method I’m going to show you today. If you want to pay, stop reading and go here. But if you think free sounds pretty nice, keep on reading

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How to Nail the Timing of Your Next Rack Focus

by Evan LuziCamera Assisting

  • 4

Pulling focus is arguably the 1st Assistant Camera’s most important duty. A shot can be beautifully lit, impeccably framed, and feature Oscar-winning acting, but if it’s not in focus, it’s likely to end up on the cutting room floor. That’s what’s at stake for the focus puller.

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5 Important Factors for Calculating and Negotiating Your Day Rate

5 Important Factors for Calculating and Negotiating Your Day Rate

by Evan LuziGetting Work

  • 12

It’s tricky when you’re first asked what your day rate is. You don’t want to price yourself out of a job, but you don’t want to leave any money on the table either. So here’s five important factors that will help you decide what kind of paycheck to negotiate for.

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Why Are We So Obsessed with Camera Specs

Why Are We So Obsessed with Camera Specs?

by Evan LuziCameras

  • 26

It happens everytime a new camera is released. The film vs. digital debate gets dragged out of the mud it’s been trampled into and is subject to another beating. After that runs its course, a more nuanced debate starts happening: one digital system vs. another digital system.

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The Physicality of Camera Assisting and How It Could Cost You a Job

The Physicality of Camera Assisting and How It Could Cost You a Job

by Evan LuziCamera Assisting

  • 6

No you don’t need to be able to run a marathon to be an astute camera assistant, but you’ll be much better and faster if you can last a whole day on set without getting sore the next day. And the AC’s that can keep up are the ones who keep getting phone calls.

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How to Pack a Pick-Up Truck (or Car) Full of Expensive Film Gear

How to Pack a Pick-Up Truck (or Car) Full of Expensive Film Gear

by Evan LuziToolkit

  • 7

When was the last time you drove a car with $100,000 worth of camera gear in the back? This tutorial is for the down-and-dirty low budget realm — those with grip trucks need not apply.

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The Glorious Gluttony of Filming in Restaurants and the Best Meal Ever Had

The Glorious Gluttony of Filming in Restaurants and the Best Meal I’ve Ever Had

by Evan LuziProduction Stories

  • 17

What is so awesome about shooting in restaurants — good restaurants — is you get the satisfaction of a finely prepared meal without the guilt of paying for it. In fact, someone is paying you to eat it.

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Evan Day 11 Slate

50 Things That Suck for Camera Assistants (and 50 Things That Don’t)

by Evan LuziCamera Assisting

  • 49

Filmmaking isn’t always fun. Sometimes it can suck — and suck pretty hard. The public persona of Hollywood may be glitz and glam, but there’s definitely moments when that facade falls apart, especially below the line.

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Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

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