The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Camera Guides
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Pocket Guides
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • Subscribe
  • Contact
  • About The Black and Blue
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • U
  • 
  • R
  • @
  • Q
  • ˆ
  • ‰
×
Be a Faster AC #7: Make One Trip for Battery Swaps

Be a Faster AC #7: Make One Trip for Battery Swaps

On more than few occasions, I've called for a fresh battery from a 2nd assistant camera (AC) only to have them run to the charger, grab a charged battery, place it in my hands, then I give them the dead battery, they bring it back to the charger, and finally come back to set. Seems a little redudant, no?

by Evan LuziCamera Assisting

  • 8

From our ongoing exploration of ways to become a faster and more efficient camera assistant, today’s tip is:

7. Make One Trip When Swapping Batteries

Swapping batteries on a camera (or other gear) is a common occurrence between shots and doing it well is essential to an efficient shooting pace. Yet despite that fact, many camera assistants still waste time with this exchange.

On more than few occasions, I’ve called for a fresh battery from a 2nd assistant camera (AC) only to have them run to the charger, grab a charged battery, place it in my hands, then I give them the dead battery, they bring it back to the charger, and finally come back to set.

Seems a little redudant, no?

The better (and faster) way to do this is to take the dead battery from the camera, go to the charger, start charging the dead one, grab a fresh brick, then bring it back to the camera.

In this case, you are only making one trip instead of two.

If you want to be even faster — and I know you do — check for fresh batteries during downtime on set and keep them in a ditty bag near the camera.

The workflow would then go like this: 1st AC calls for new battery, you hand them a fresh one from the ditty bag, take the dead one to the charger, grab any batteries that are fully charged while there, and then head back to set.

That’s still only one trip — more than enough to get done what you need to.

Evan Luzi

  • U
  • 
  • z

Creator of The Black and Blue. Freelance camera assistant and camera operator. Available for work: Contact Evan here. Learn more about Evan here.

An Essential Resource for Digital Cinema Filmmakers

Get the Complete Library of 30 Digital Cinema Pocket Guides

  • Canon C500 Digital Cinema Pocket Guide
  • Blackmagic Cinema Camera Digital Cinema Pocket Guide
  • Nikon D800 Digital Cinema Pocket Guide
  • Canon 5D Mark II Digital Cinema Pocket Guide
  • Sony FS700 Digital Cinema Pocket Guide
  • Sony F65 Digital Cinema Pocket Guide
  • Phantom Miro 320s Digital Cinema Pocket Guide
  • RED Epic Digital Cinema Pocket Guide
Click Here to Learn More

Read Next

Fight Club as a Film and Novel: A Copy of A Copy of A Copy

Fight Club as a Film and Novel: A Copy of A Copy of A Copy

In a few sentences, I’m going to break the first rule. In actuality, I’m going to break the first two. But it’s hard not to. It’s even harder to believe that it has been 10 full years since the release of David Fincher’s Fight Club and 13 years since Chuck Palahniuk’s novel on which it was based.

  • How to Handle Pressure and Perform Better On Set
  • The Two Types of Camera Tape You Need
  • So you want to be a camera assistant?
  • 25 Hilarious Filmmaking Meme Jokes: The Animated GIF Edition

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
  • Most Popular
  • Most Recent
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2025 The Black and Blue, LLC