When I was doing prep-work as 1st AC on “Red Herring,” shot on the RED ONE, I went ahead and created Red specific camera reports. The document was created out of a variety of different types of camera reports I had seen. Many of them were either for film or for video, but neither tailored to the specific settings of the Red One. The result was a template that enabled easy marking of traditional notes (lens, f-stop, etc.) as well as Red-specific meta-data.
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