
I’m used to sharing a view of the scene with the camera.
I’m comfortable crouching low and aligning my eyesight with the barrel of a lens or watching a monitor to see the world as the camera does.
I used to think that from behind the camera I had a real sense of the presence of the set. I could look to video village to see the crowds or glance to my left or right where flags and lights stood. From next to the camera, a 360 degree turnaround could give me a glimpse of the entire set.
But I was wrong. If you want a true sense of the presence of a film set, you have to step in front of the camera where all the lights point on you, where the camera is pointed at you, and where everyone’s attention falls on you.
For some that experience is exhilarating. For others, daunting. For me, it was a chance to have fun.








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