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> <channel><title>Comments for The Black and Blue</title> <atom:link href="http://www.theblackandblue.com/comments/feed/" rel="self" type="application/rss+xml" /><link>http://www.theblackandblue.com</link> <description>Tips for Filmmakers and Camera Assistants</description> <lastBuildDate>Mon, 06 Feb 2012 22:29:32 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>Comment on Auto-Focus: Being an Invisible Camera Assistant by Terry O&#8217;Quinn Speaks About the LOST Camera Crew (Video) &#124; The Black and Blue</title><link>http://www.theblackandblue.com/2010/09/09/auto-focus-being-an-invisible-camera-assistant/#comment-2651</link> <dc:creator>Terry O&#8217;Quinn Speaks About the LOST Camera Crew (Video) &#124; The Black and Blue</dc:creator> <pubDate>Mon, 06 Feb 2012 22:29:32 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=1064#comment-2651</guid> <description>[...] a smug view on the world of production and think that my job goes too unnoticed &#8211; in fact, I think that&#8217;s how it should be. But, I do think the most professional actors/actresses are the ones that can acknowledge that [...]</description> <content:encoded><![CDATA[<p>[...] a smug view on the world of production and think that my job goes too unnoticed &#8211; in fact, I think that&#8217;s how it should be. But, I do think the most professional actors/actresses are the ones that can acknowledge that [...]</p> ]]></content:encoded> </item> <item><title>Comment on The Hidden Cost of RED Epic and Digital Cinema by Anonymous</title><link>http://www.theblackandblue.com/2011/08/04/epic-cost/#comment-2650</link> <dc:creator>Anonymous</dc:creator> <pubDate>Mon, 06 Feb 2012 20:40:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=3922#comment-2650</guid> <description>Hi everyone :)it&#039;s a very interesting topic .On one side it&#039;s very good to warn people that digital cinema is not cheap ! most people nowadays just think that digital will open doors for FREE to the industry !!! People who works in the business just knows how expensive it is to produce a movie with this usual risk to get no money back from the investments . And here i&#039;m talking about the most majority of people who works on indie projects . indie doesn&#039;t mean cheap, an average movie budget is around 3 to 5 millions dollars .The real positive point about the digital cinema, is to get the same day, what we have shot !!! and that  worths SO MUCH, no need to get upset about the focus in a scene, the look of the lights, the performance of the talents .No more ... We can now with a DIT on set get a previsualization of what we&#039;ll get and adjust our workflow, and work faster, time is money, especially for producers . to me that&#039;s the real difference between the traditionnal workflow ( = with film stock ) and the digital daillies .The other point is, for commercials, and ad agencies, it&#039;s much better to work in digital, the client can see &quot;live&quot; the final product on an ipad, or the computer screen, and get the confidence that he has spent wisely his budget   .About the EPIC workflow, i was upset about this side of the workflow, to deal with so many data , but i saw lately a workflow whorkshop on how to use the Alexa, the sony F65 and the EPIC on set . I had to admit that among those three cameras, the RED has produced a very versatile way for the post prod . The training shown us the regular routine with 2 mac pro and a DIT and the copy of the master on a hard drive ( with a Codex Vault )  &amp; the LUT + color front &quot;on set dailies&quot;, and then we saw a smaller configuration with a macbook pro . the workflow begun more &quot;painful&quot;, slower, but do-able i may say but i wouldn&#039;t recommend it for a long feature production, at the very least a short, or indie music video ; because of the high bandwith of the Data as we agreed that it&#039;s the main issue for indie budget . but these tools are not for the mainstream market .So to end , i would like to encourage everyone who wishes to make movies, to write first something that means something . i wish to say it again, but when we gather so much efforts, to get a budget, talents, equipement ( and it&#039;s not only a camera ) :) it has to be for something true !As it has been said, we&#039;ve seen so many projects shot in digital or film which were such a WASTE !!!! Another thing is : a movie is a team work !!! when i see so many newbie people who claims to be a cinematographer, just because they got a dslr/digital camera and have shot a few pictures .... come on !!! Cinematography is a real art &amp; craft, and it&#039;s more about the light than a camera ! so is it about directing a movie, it&#039;s as well, enough work !!! Apart some genius who did it both, like Kubrick ( who he had a cinematographer by the way to help him ) each jobs require skills and TIME .  One cannot do it a movie by himself = Again a team work !So a camera by itself doesn&#039;t make a great movie, only vision matters . The other point is, to produce a movie, one needs people, lights, lenses, costumes, grip, catering, insurance, production design and SOUND ........ :) so the cost of the post production digital or not is indeed important to plan, but i wanted to say that whatever option one&#039;ll choose it will COST A LOT , even with a dslr movie made to get print for DVD market, the bill will be salted if one doesn&#039;t see the economic reality ! Digital tools just SAVE time, and as we all know in this business time is money !!!</description> <content:encoded><![CDATA[<p>Hi everyone :)</p><p>it&#8217;s a very interesting topic .</p><p>On one side it&#8217;s very good to warn people that digital cinema is not cheap ! most people nowadays just think that digital will open doors for FREE to the industry !!! People who works in the business just knows how expensive it is to produce a movie with this usual risk to get no money back from the investments . And here i&#8217;m talking about the most majority of people who works on indie projects . indie doesn&#8217;t mean cheap, an average movie budget is around 3 to 5 millions dollars .The real positive point about the digital cinema, is to get the same day, what we have shot !!! and that  worths SO MUCH, no need to get upset about the focus in a scene, the look of the lights, the performance of the talents .</p><p>No more &#8230; We can now with a DIT on set get a previsualization of what we&#8217;ll get and adjust our workflow, and work faster, time is money, especially for producers . to me that&#8217;s the real difference between the traditionnal workflow ( = with film stock ) and the digital daillies .</p><p>The other point is, for commercials, and ad agencies, it&#8217;s much better to work in digital, the client can see &#8220;live&#8221; the final product on an ipad, or the computer screen, and get the confidence that he has spent wisely his budget   .</p><p>About the EPIC workflow, i was upset about this side of the workflow, to deal with so many data , but i saw lately a workflow whorkshop on how to use the Alexa, the sony F65 and the EPIC on set . I had to admit that among those three cameras, the RED has produced a very versatile way for the post prod . The training shown us the regular routine with 2 mac pro and a DIT and the copy of the master on a hard drive ( with a Codex Vault )  &amp; the LUT + color front &#8220;on set dailies&#8221;, and then we saw a smaller configuration with a macbook pro . the workflow begun more &#8220;painful&#8221;, slower, but do-able i may say but i wouldn&#8217;t recommend it for a long feature production, at the very least a short, or indie music video ; because of the high bandwith of the Data as we agreed that it&#8217;s the main issue for indie budget . but these tools are not for the mainstream market .</p><p>So to end , i would like to encourage everyone who wishes to make movies, to write first something that means something . i wish to say it again, but when we gather so much efforts, to get a budget, talents, equipement ( and it&#8217;s not only a camera ) :) it has to be for something true !</p><p>As it has been said, we&#8217;ve seen so many projects shot in digital or film which were such a WASTE !!!! Another thing is : a movie is a team work !!! when i see so many newbie people who claims to be a cinematographer, just because they got a dslr/digital camera and have shot a few pictures &#8230;. come on !!! Cinematography is a real art &amp; craft, and it&#8217;s more about the light than a camera ! so is it about directing a movie, it&#8217;s as well, enough work !!! Apart some genius who did it both, like Kubrick ( who he had a cinematographer by the way to help him ) each jobs require skills and TIME .  One cannot do it a movie by himself = Again a team work !</p><p>So a camera by itself doesn&#8217;t make a great movie, only vision matters . The other point is, to produce a movie, one needs people, lights, lenses, costumes, grip, catering, insurance, production design and SOUND &#8230;&#8230;.. :) so the cost of the post production digital or not is indeed important to plan, but i wanted to say that whatever option one&#8217;ll choose it will COST A LOT , even with a dslr movie made to get print for DVD market, the bill will be salted if one doesn&#8217;t see the economic reality ! Digital tools just SAVE time, and as we all know in this business time is money !!!</p> ]]></content:encoded> </item> <item><title>Comment on 20 Last Minute Gifts for Filmmakers for Under $20 by Jenny</title><link>http://www.theblackandblue.com/2011/12/14/holiday-gifts/#comment-2648</link> <dc:creator>Jenny</dc:creator> <pubDate>Mon, 06 Feb 2012 12:55:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=7384#comment-2648</guid> <description>Thanks to your post I managed to get my mum to give me the alarm clock for my birthday. I love it even though I&#039;m not an AC but a script supervisor. To be honest I hate slating (have had to do it on a couple of short films) but love slates.I researched the alarm clock quite well before I told her to buy it (got it off ebay) so knew all about it but just a warning the clock only lights up when you clap it (for 15 seconds then turns off again) unless it&#039;s plugged in. So if you want to know the time in the night you either have to clap the sticks or have it plugged in. You can clap the sticks and keep them closed using an elastic band or something along those lines and then the time will always show but if you set the alarm and leave it shut you just get one beep when it gets to the time you have set the alarm for. Also clapping the sticks is how you turn off the alarm since you were wondering but I don&#039;t think it has a snooze function. Not something I ever need since I usually wake up just before alarm clocks ring and then turn them off after one or two beeps.
The one thing that is a tiny bit disappointing is that it&#039;s not got frames but tenths of a second but that&#039;s asking for a bit much really!Thanks so much though for adding it to your list I was very happy to get it.</description> <content:encoded><![CDATA[<p>Thanks to your post I managed to get my mum to give me the alarm clock for my birthday. I love it even though I&#8217;m not an AC but a script supervisor. To be honest I hate slating (have had to do it on a couple of short films) but love slates.</p><p>I researched the alarm clock quite well before I told her to buy it (got it off ebay) so knew all about it but just a warning the clock only lights up when you clap it (for 15 seconds then turns off again) unless it&#8217;s plugged in. So if you want to know the time in the night you either have to clap the sticks or have it plugged in. You can clap the sticks and keep them closed using an elastic band or something along those lines and then the time will always show but if you set the alarm and leave it shut you just get one beep when it gets to the time you have set the alarm for. Also clapping the sticks is how you turn off the alarm since you were wondering but I don&#8217;t think it has a snooze function. Not something I ever need since I usually wake up just before alarm clocks ring and then turn them off after one or two beeps.<br
/> The one thing that is a tiny bit disappointing is that it&#8217;s not got frames but tenths of a second but that&#8217;s asking for a bit much really!Thanks so much though for adding it to your list I was very happy to get it.</p> ]]></content:encoded> </item> <item><title>Comment on On Set: Checking the Gauge by Shell</title><link>http://www.theblackandblue.com/2011/01/15/on-set-checking-the-gauge/#comment-2646</link> <dc:creator>Shell</dc:creator> <pubDate>Sat, 04 Feb 2012 20:12:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=2303#comment-2646</guid> <description>There is a digital equivalent of checking the gate, it&#039;s checking the last clip and most digital cameras have a specific button for that.  It is to make sure there were no errors during writing to the  digital media. </description> <content:encoded><![CDATA[<p>There is a digital equivalent of checking the gate, it&#8217;s checking the last clip and most digital cameras have a specific button for that.  It is to make sure there were no errors during writing to the  digital media.</p> ]]></content:encoded> </item> <item><title>Comment on The iPad Slate iWould Use by Mark Corderoy</title><link>http://www.theblackandblue.com/2012/01/26/ipad-slate/#comment-2645</link> <dc:creator>Mark Corderoy</dc:creator> <pubDate>Sat, 04 Feb 2012 08:38:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=7718#comment-2645</guid> <description>The ipad slate from Pomfort http://pomfort.com/mamboframe/index.html looks more durable, but isn&#039;t cheap!</description> <content:encoded><![CDATA[<p>The ipad slate from Pomfort http://pomfort.com/mamboframe/index.html looks more durable, but isn&#8217;t cheap!</p> ]]></content:encoded> </item> <item><title>Comment on 10 Awesome Production Stills That Will Remind You Why You Love Filmmaking by FB</title><link>http://www.theblackandblue.com/2012/02/02/10-production-stills/#comment-2644</link> <dc:creator>FB</dc:creator> <pubDate>Fri, 03 Feb 2012 22:51:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=7799#comment-2644</guid> <description>I feel honoured to be featured here with my pictures, and I&#039;m so very happy you like them! Thank you!</description> <content:encoded><![CDATA[<p>I feel honoured to be featured here with my pictures, and I&#8217;m so very happy you like them! Thank you!</p> ]]></content:encoded> </item> <item><title>Comment on 7 G&amp;E Techniques Useful to Camera Assistants by Things On Set &#8211; Grips and Electrics Technique #1 &#124; Cellar Media - Professional Videos and Graphics</title><link>http://www.theblackandblue.com/2012/01/10/grip-techniques/#comment-2642</link> <dc:creator>Things On Set &#8211; Grips and Electrics Technique #1 &#124; Cellar Media - Professional Videos and Graphics</dc:creator> <pubDate>Fri, 03 Feb 2012 16:35:34 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=6803#comment-2642</guid> <description>[...] post on techniques to have while working on a film set.  You can read his full article here.  Whether you know these techniques already&#8230; it doesn&#8217;t hurt to refresh your memory [...]</description> <content:encoded><![CDATA[<p>[...] post on techniques to have while working on a film set.  You can read his full article here.  Whether you know these techniques already&#8230; it doesn&#8217;t hurt to refresh your memory [...]</p> ]]></content:encoded> </item> <item><title>Comment on 10 Awesome Production Stills That Will Remind You Why You Love Filmmaking by Adam Richlin</title><link>http://www.theblackandblue.com/2012/02/02/10-production-stills/#comment-2641</link> <dc:creator>Adam Richlin</dc:creator> <pubDate>Thu, 02 Feb 2012 22:57:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=7799#comment-2641</guid> <description>I think you should just keep posting these every time they come in... fantastic shots!  </description> <content:encoded><![CDATA[<p>I think you should just keep posting these every time they come in&#8230; fantastic shots! </p> ]]></content:encoded> </item> <item><title>Comment on Film Set Lingo: Camera Department Terms &#8211; Part 2 by Chris Reynolds</title><link>http://www.theblackandblue.com/2010/12/16/film-set-lingo-camera-department-terms-part-2/#comment-2640</link> <dc:creator>Chris Reynolds</dc:creator> <pubDate>Thu, 02 Feb 2012 17:36:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=1827#comment-2640</guid> <description>That&#039;s a TBA if you&#039;re into brevity</description> <content:encoded><![CDATA[<p>That&#8217;s a TBA if you&#8217;re into brevity</p> ]]></content:encoded> </item> <item><title>Comment on Finding the Best Laser Measuring Device for You by Chris Reynolds</title><link>http://www.theblackandblue.com/2011/06/02/laser-measuring-device/#comment-2638</link> <dc:creator>Chris Reynolds</dc:creator> <pubDate>Thu, 02 Feb 2012 10:06:00 +0000</pubDate> <guid
isPermaLink="false">http://www.theblackandblue.com/?p=4713#comment-2638</guid> <description>Another option for someone on a budget could be to pick up an older Disto model from eBay. I&#039;ve had a Classic 5 for seven years, no problems. It can silence the beeps, backlight for the screen, has a sight and a range much longer than any focus puller needs. Added retro appeal, like having an 80&#039;s brick cell phone. Two AA batteries last about two years in it. </description> <content:encoded><![CDATA[<p>Another option for someone on a budget could be to pick up an older Disto model from eBay. I&#8217;ve had a Classic 5 for seven years, no problems. It can silence the beeps, backlight for the screen, has a sight and a range much longer than any focus puller needs. Added retro appeal, like having an 80&#8242;s brick cell phone. Two AA batteries last about two years in it.</p> ]]></content:encoded> </item> </channel> </rss>
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