Should You Buy an AC Pouch to Wear On Set?

Camera assistants often wear a pouch on set to hold essential tools, gear and other knick-knacks. These pouches come in all shapes, sizes and brand names. But before you pony up the cash to buy one, ask yourself whether or not you would want to wear one at all.

I am constantly teased by friends, family and sometimes crew that I wear a fanny pack on set.

“It’s an AC pouch!” I snap back, but really, I know they’re right.

My “pouch” was purchased before my first camera assisting gig as a result of my naivete and is actually a fanny pack. At that point, I had only read The Production Assistant Pocket Handbook by Caleb Clark which recommended having a fanny pack to keep essential gear.

Fast forward a few years and I use my pouch about 80% of the times that I am on set and I have never bothered to buy a new one. For me, I like the zippers that aren’t as loud as Velcro and prevent items from falling out.

With that said, I know plenty of AC’s who wear specially made pouches for camera assistants. These pouches often have specific pockets for markers, pens, and come with a customizable belt in which you attach canned air holders and other accessories.

Pros and Cons of Wearing a Pouch

Whether you choose to wear a pouch or not is going to be personal preference, but here are some advantages and disadvantages to wearing a pouch:

Pros:

- Keeps essential tools within quick access
- Provides a place to store things regardless of what you’re wearing
- Can hold more than your pockets
- Keeps the tools you use the most in one central location
- If working alone, you don’t have to worry about a ditty bag

Cons:

- Can be uncomfortable and cumbersome
- Makes noises when opening/closing the pouch to access things
- Items can fall out if walking briskly or running on set
- Can make it difficult to get into tight situations with the camera
- Can become cluttered and end up being counterproductive

Cons related to wearing a pouch are mostly inconveniences — that is, the worst part about a pouch is that it simply gets in the way. The pros, however, are focused more on holding more tools.

Customizing Your Pouch

Like anything camera assistants get their hands on, they end up customizing it. Many AC’s will replace Velcro on a pouch with magnets so they can open and close it while being quiet. Others may rip out the internals of their pouch and add glow in the dark lights or separate pockets.

Don’t settle for the stock shipment of your pouch (if you get one), get creative and think what you could do to your pouch to make it even better and more useful.

Alternatives

A pouch isn’t the end all be all to carrying your tools with you on set. There are alternatives such as basic tool-belts you find at a hardware store. I also have read about AC’s buying tool pouches designed for paramedics, police, or for military use. They found these at Military Surplus Stores.

Another option is to buy individual belt attachments for each piece of gear you would like to have strapped to your waist. There are so many tiny little accessory pieces available so you don’t have to strap a whole pouch to yourself.

The last option is simply not wear one at all. Many AC’s will prefer to have their tools loaded in a frontbox or a ditty bag that lives near the camera with one or two tools that rest in their pockets.

Different strokes for different folks.

Should I Wear One?

Whatever route you decide to go, make sure it’s because it suits your style of working.

If wearing a pouch is slowing you down, you should take it off. On the flipside, if you constantly find yourself hustling between your toolkit and the camera, a pouch can make you more efficient on the job.

For those on the fence, I recommend getting a pouch and trying it out. You can always take it off if you don’t find it useful. If you are tight on cash, keep in mind the alternative options above.

Personal preference is the name of the game when it comes to pouches, so don’t be afraid to stray from what some will consider a “standard.” I get teased about my “pouch,” but at the end of the day, it helps me get my job done and that’s all anybody cares about on set.

Do you wear a pouch? What brand do you wear? What do you prefer instead of a pouch?

About the author:

About the author: Evan Luzi is the editor and founder of The Black and Blue as well as a freelance camera assistant.

You can learn more about him or follow him on Twitter and Google+.

This Isn't About One Gig. It's About Launching Your Career.
  • http://twitter.com/stingers_cam Neil Irwin

    I bought one because of my experience on set. There’s only so much room in your pockets that you can fit lens cleaner, pens and pencils, note pads and other bits and bobs. Mine is specifically designed for AC’s so has a couple of separate compartments and lots of pen holders (which are very useful indeed!). But yes – I would DEFINITELY recommend one. Doesn’t necessarily have to be a specifically designed AC pouch – but as long as it does the job that you need it to – then there’s no reason why you can’t let your imagination run wild. I don’t see the point in paying more that £25/$50 for a pouch. It’s only just going to get dusty and dirty. if you do decide to buy one that not specifically designed – make sure it’s hard wearing and WATERPROOF! The last thing you want is wet lens tissue or leaky pens running all in your pouch!

  • http://twitter.com/HumanGobo Jeremy Bernatchez

    man…I’ve got 3 different pouches on my belt kit, as well as that kimwipes dispenser i mentioned to you, and a small tape stringer, and I’d feel weird not having them all :)

    Pouch 1 contains my rocketblower, pancro, various pens/sharpies/focus marking pens, and a chalk dispenser dealy.
    Pouch 2 (though really not so much a pouch as a slotted compartment thing) has my leatherman, hex keys, current tester, and wrench.
    Pouch 3 is kinda optional, but has my flashlight on the side, and I usually use it to carry a spare battery. I’ve got a bigger, alternate pouch, which I’d usually use to carry a battery and tape, but since I’m largely working with XDCAM, it’s a bit tight.

    It’s a bit overkill, for sure… But because I work a lot of small crew lifestyle shows, I do double duty with ACing and lighting, and need those extra bits a lot!

    I would love the day I don’t have to wear a belt kit all the time…

    also, GREAT idea on replacing velcro with magnets… thanks for mentioning that! I had never even thought of that, and can’t count the times I’ve had to hold off grabbing something from a pouch because of the loud velcro ‘rip’.

  • http://www.theavclub.tv Chris

    One thing I suggest for any kit is a retractable LED flashlight with a carabiner clip. Extremely handy when you need to search around inside a dark kit. Having it on a retractable leash means you just drop it when you are done, and it goes back to where it belongs. The carabiner allows you to easily remove it and go untethered when needed.

    I don’t want to advertise any specific brand, but check out this google image search to get an idea for the type of product I’m talking about: http://goo.gl/jaCGm Go with something solid (aluminum over plastic) so it will last you.

    On a side note, retractable leashes are great for all kinds of small gear.

  • http://twitter.com/HumanGobo Jeremy Bernatchez

    that’s a great idea! have one in my kit that’s meant for keys, that i never use.

  • Anonymous

    My first ACing gig was as a 2nd. I had no idea what it really entailed, but the 1st walked me through it and let me use his pouch. After the first day I realized I needed to have my own and went out and bought/stocked one. It is tool belt style, a little bulky, but has served me well for the past 2 years. I usually work on smaller sets (corporate work and low budget short films) and I am glad I have it instead of carrying a ditty bag around, since we move pretty fast. I often carry a backpack to set that has items that I may or may not need for each day and stash it in the staging area, but when I am on set I only have the essentials for the job.

  • Anonymous

    retractable leashes are a good idea, this would also make sure that things don’t magically walk away from you.

  • Adam Richlin

    What is this KimWipes dispenser you speak of? I could go for one of those… I’m hating replacing the Rosco books every week as they get dirty. Tried ziplocking them, but it got to be too much of a hassle.

  • http://www.theblackandblue.com/ Evan

    I agree about your price point, Neil. I bought my fanny pack/pouch at Target for about $20 and it has served me well.

    There are some expensive pouches out there, but unless you’re rolling in the dough, the investment in one shouldn’t really punch over $50

  • http://www.theblackandblue.com/ Evan

    Three different pouches! They must be fairly small to all fit on your belt. You’re right though, when you’re doing small crew or wearing multiple hats, having that tool belt saves a lot of time.

    P.s. I’ve been on a few sets where I haven’t had to wear my belt and I must say, it’s glorious :P

  • http://www.theblackandblue.com/ Evan

    Yeah the Rosco books don’t hold up too long. Kimwipes are all I order these days. Here’s the dispenser Jeremy spoke of: http://twitpic.com/4dle6f

    When he mentioned it to me on Twitter, I was just as curious as you Adam and am looking into purchasing one myself.

  • http://www.theblackandblue.com/ Evan

    Smart suggestion, Chris. I hadn’t thought of that before. Now I’m going to lie awake tonight thinking of all the things I can attach to retractable leashes…

  • http://www.theblackandblue.com/ Evan

    I think the same fairies that steal socks are also dispatched to film sets to steal my Sharpies

  • http://www.theblackandblue.com/ Evan

    That’s what I love about having a pouch too is that it allows me to get what I NEED and keep it with me. Then the rest of the stuff that I might have to use at some point is left in the staging area.

    Ditty bags are great if you have a 2nd AC to help you lug it all around, but otherwise they really put a damper on your ability to move fast.

    Also, it’s funny isn’t it that most people stick with whatever gear they get on their first gig? You fall into habits with what works and it’s hard to break em.

  • Pingback: The Stupidest Thing I’ve Ever Done On Set - Tips for Filmmakers and Camera Assistants - The Black and Blue

  • Pingback: Feeling Nervous on Day One? 5 Steps to Curb Your Anxiety | The Black and Blue